“Let everyday life become a work of art”:

The quotidiano in Italian Studies

Graduate Student Conference, University of Chicago

Keynote Speaker:  Noa Steimatsky, University of Chicago:
“Lowly Objects, Elemental Housing, Neorealism”

April 17, 2010–University of Chicago

9am-5pm, Harper 103

An illustration by Beth Krommes from “The House in the Night.”

Only recently has the ‘everyday’ emerged as a significant analytical concept in academia, thanks to groundbreaking studies on the everyday transformations wrought by the sociopolitical, artistic and technological productions of the nineteenth and twentieth centuries.

What is perhaps most fascinating about these studies is that the quotidian has proven to be both ordinary and not ordinary when put to the analytical lens. Rita Felski writes, “The everyday is the essential, taken-for-granted continuum of mundane activities that frames our forays into more esoteric or exotic worlds.” What voice is the everyday given, deliberately or accidentally, in literature, cinema, history, and the visual arts?  More specifically, how can analyzing the “everyday” be re-imagined as a new kind of critical practice for Italianists and Italian writers of all periods?

Let us explore the means by which the everyday is present in cultural productions; and how and why our daily use of these productions may be seen as both conventional and innovative.

Contact Collettivo Italiano Chairs:

Miriam Aloisio, Ryan Gogol, and Elizabeth Fiedler

italy.everyday@gmail.com

Dept. Romance Languages, University of Chicago

(773) 702-8481

Call For Papers Spring 2010

CALL FOR PAPERS
Graduate Conference
The University of Chicago Italian Studies Collective

“Let everyday life become a work of art”: The quotidiano in Italian Studies

Keynote Speaker Noa Steimatsky, University of Chicago:

“Lowly Objects, Elemental Housing, Neorealism”

April 17, 2010

Only recently has the ‘everyday’ emerged as a significant analytical concept in academia, thanks to groundbreaking studies on the everyday transformations wrought by the sociopolitical, artistic and technological productions of the nineteenth and twentieth centuries.

What is perhaps most fascinating about these studies is that the quotidian has proven to be both ordinary and not ordinary when put to the analytical lens. Rita Felski writes, “The everyday is the essential, taken-for-granted continuum of mundane activities that frames our forays into more esoteric or exotic worlds.” What voice is the everyday given, deliberately or accidentally, in literature, cinema, history, and the visual arts? More specifically, how can analyzing the “everyday” be re-imagined as a new kind of critical practice for Italianists and Italian writers of all periods?

In our conference, the Italian graduate students in the Department of Romance Languages and Literatures at the University of Chicago seek to problematize the concept of the everyday in the cultural and historical context of Italy. Rather than give one definition of the quotidiano within Italian literature, cinema, and art, let us explore the means by which the everyday is present in cultural productions; and how and why our daily use of these productions may be seen as both conventional and innovative.

We invite abstracts from all disciplines that study the everyday in any period of Italy’s history from the Middle Ages to the present. Papers may be written in either English or Italian.

We offer the following topics as suggestions or general guidelines; other topics relating to the everyday are also welcome.

Representations of the ‘domestic’ in art, film, literature (family, gender, etc.)
Gendered and feminist (or women writers’) attitudes toward the everyday
The urban everyday: flanerie, consumerism, entertainment, cuisine, hygiene, etc.
Painting, visual art, or cinema depicting scenes of daily life (e.g. the Macchiaioli of the Ottocento; Italian Neorealism and its emphases on space, ‘real time’, etc.)
Transformations of the everyday in avant-garde projects
The lowering of the poetic voice among the crepuscolari, ‘poeti borghesi’, etc.
Food, hunger, famine, feasting; disease, health and body; scatology
Comportment or advice books from the Middle Ages onward

Conceptions of “civility”; crime and punishment; the legal system; prison life

Realism in Italian theater from Ruzzante onward

Oral traditions and storytelling; growth of mass literacy, consumerism, etc.

Representations of time: linear, cyclical, diurnal, nocturnal

 

Presentations should not exceed 20 minutes in length (7-8 typed pages, double-spaced). Abstracts of no more than 300 words are due to italy.everyday@gmail.com by January 12, 2010.